BEFORE

Looking back at my older works, I see a period of exploration and experimentation where I was really trying to find my footing as an artist. I was testing different ways of painting, discovering what interested me, and learning how to translate ideas and emotions onto the canvas. These pieces were a vital part of my process, even if they weren’t fully refined, because they helped me understand my own style and direction. This was all before my studies in France, which shifted my approach toward the classical realism I work with today.